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Hole in the Soul

Paperback

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01 January 1994

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From Queen Latifa to Count Basie, Madonna to Monk, "Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk,...

From Queen Latifa to Count Basie, Madonna to Monk, "Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk, and rap. Yet despite the vigor and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. ?Bayles defends the though, affirmative spirit of Afro-American music against the strain of artistic modernism she calls 'perverse.' She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. ?Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular

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From Queen Latifa to Count Basie, Madonna to Monk, "Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk,...

From Queen Latifa to Count Basie, Madonna to Monk, "Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk, and rap. Yet despite the vigor and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. ?Bayles defends the though, affirmative spirit of Afro-American music against the strain of artistic modernism she calls 'perverse.' She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. ?Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular
Hole in the Soul $53.99
Koorong code 114847
ISBN 9780226039596
Pages 461
Publisher University Of Chicago Press
Publication date 01 January 1994
Dimensions 27 x 158 x 226mm
Weight 0.694kg
DeliveryOrder today for it to arrive in 4-6 weeks
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